South Korean artist Lee Gihun’s debut exhibition in Rome presents a compelling exploration of climate change and environmental consciousness, using his distinctive artistic language to address the urgency of preserving our planet’s biodiversity. With paintings that blend fantastical elements with a deeply reflective tone, Gihun calls attention to the delicate balance of nature, urging a shift in perspective toward sustainability and awareness.
In his work, Gihun creates a world that is both magical and cynical, filled with childlike, masked figures that inhabit a muted, desolate landscape. These characters, poised in preparation for an uncertain future, embody a sense of hope and resilience in the face of environmental crises. The interplay of melancholic and playful qualities in his scenes presents a tension between the familiar and unsettling, drawing attention to the fragility of the world around us.
Gihun’s paintings reflect on the dualistic Western worldview that separates spirit from matter, a perspective that has contributed to the detachment between humanity and nature. The artist critiques this self-centered outlook, suggesting that it is this very disconnection that exacerbates the ecological challenges we now face. The masked characters, preparing for an uncertain future, symbolize both the vulnerability and the strength of the human spirit in the face of environmental destruction.
Using a combination of acrylic and oil stick, Gihun builds his compositions by layering textures. He further enriches his works by incorporating recycled materials—silk wallpaper remnants commonly found in Korean homes, as well as leftover school supplies—into his art. These elements invite viewers to recognise the interdependence between humans and the environment and to embrace a more sustainable and harmonious way of life. Through his work, Gihun offers a visual call to action, urging us to reflect on our relationship with the planet and the future we are shaping.
