The works of Clémentine de Chabaneix all have the same quality: they systematically give the audience something they didn’t expect, and one look is never enough to exhaust their multi-faceted content.
Their appeal is conveyed by very simple things: the apparent softness of enameled ceramics representing young girls with round wistful faces, or furry animals with whose pelts are linked, as in the case of bears, to stuffed toys from our childhoods. But boundaries are often blurry.
